Mirrorless and the Canon 400mm f2.8 L IS Vs 400mm f2.8 L IS II

Introduction.

I upgraded to the Canon R6 from the 1DX last year and found that the original 400mm f2.8 would not keep up with action, no matter what autofocus settings were utilised. It was like the camera was thinking faster than the lens could react, especially with eye detect. So I rented the mk ii lens over a weekend and thought I would share my experiences. This won’t be a full gear review/comparison/sharpness test etc. - there are plenty of those out there, more of snapshot of my personal experiences with what I shoot, and how I shoot which will hopefully be of interest.

Mk I above Mk II below

Mk I above Mk II below

Why use a 400mm f2.8?

Simply… the beautiful background diffusion, which gives images a painterly look, and depth by having the subject beautifully sharp and turning the background into an impression. To me its not a sports lens, but an artists lens. Other features include good sharpness, contrast, IS, build etc. You can create beautiful wildscapes with the 400mm f2.8 if you give the subject some space. Oh and you can cancel Gym membership and just train with the Mk I lens - it weighs 5.5kg! Move over Arnie.

Canon R6, 400mm f2.8 IS L II, beanbag.

Canon R6, 400mm f2.8 IS L II, beanbag.

Weight and Balance

The Mk II is almost 2kg lighter and better balanced, while the Mk I is over 5kg and front heavy, so handholding is much easier. I’m not one for tripods as I need total freedom to compose.

Buttons

It took a while to get used to the new layout, as the focus limiter switches have moved to the back of the lens, but this is better as I often accidently switched these on/off with the old format.

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Minimum Focusing

Minimum focusing has only improved by 30cm more in the Mk II, but very useful and noticeable.

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Image stabilisation

The mode 3 stabilisation on the newer lens is a godsend, as with the Mk I lens it is always engaged with the R6, draining battery and making noise. Mode 3 activates stabilisation only during the exposure which works for me!

The extra stop of stabilisation, coupled with IBIS is a help too.

Image Quality

The detailed resolved by the Mk II over the Mk I is very noticeable, at 100% which is fantastic. Colours and contrast as well as managing flare is also much improved.

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Autofocus with action photography

In all cases the lens returned a very high hit rate with all my subjects, almost between 70/90% using eye detect at 20fps. Exactly what I had hoped for.

R6, eye detect, 1/4000th sec, 400mm f2.8 IS II

R6, eye detect, 1/4000th sec, 400mm f2.8 IS II

R6, eye detect, 1/4000th sec, 400mm f2.8 IS II

R6, eye detect, 1/4000th sec, 400mm f2.8 IS II

R6, eye detect, 1/4000th sec, 400mm f2.8 IS II

R6, eye detect, 1/4000th sec, 400mm f2.8 IS II

Extenders

I actually tried the mk iii extender too (I currently own the mk ii) and it focuses faster and provides very useable results wide open giving me a great 800mm f5.6.

Canon R6, 400mm f2.8 L IS II with 2x iii giving a beautiful 800mm f5.6.

Canon R6, 400mm f2.8 L IS II with 2x iii giving a beautiful 800mm f5.6.

Conclusion

A worthy long term investment.

What next

Tigers… 2027

Did someone say 400mm f2.8 L IS II and R5…

SOLD!

400mm f2.8 IS II Example images

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Maya

India, post-monsoon, October 2018. Tigress T12, known locally as Maya (Hindi for illusion) gives us a 'side-eye' before following her mischievous cubs into the forest. Maya resides in the core of the park, and being a brazen wild tigress is a favourite amongst visitors to the park. It is estimated she brings in the majority of the reserves income (around £8K per day), and is vital to the local economy.

I hope that the parks can open very soon, as poaching has been rampant since the outbreak of Covid19, as tigers like Maya face even more threats. I also hope I can see her raising her cubs to adulthood once again.

Good luck to her and all the other species that exist under her shadow...

Canon 1DX, 400mm f2.8

Canon 1DX, 400mm f2.8

Post Monsoon Jungles

Tadoba tiger reserve, India, is beautiful and lush post monsoon. The jungle exudes colour, vibrancy and spirit and is fantastic for wildlife viewing at this time.

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On one day we encountered this beautiful young sambar deer stag deep in the forest. He was quite relaxed, and also curious during the brief encounter so I took a few shots.

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However, it pays to be cautious and alert in the jungle…

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As you never know what may be hidden amongst the vegetation…

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In between tigers!

Tracking tigers in India can be one dimensional, and for certain reasons it has to be. I myself do try to absorb the jungle as a whole with its huge variety of life and landscapes. All taken with the 400mm f2.8, 1DX and EOS RP.

A beautiful Golden Orb spider, shot from a jeep against a morning sky.

A beautiful Golden Orb spider, shot from a jeep against a morning sky.

A baby langur monkey playing hide and seek (not very well!).

A baby langur monkey playing hide and seek (not very well!).

A red-wattled lapwing

A red-wattled lapwing

A green bee-eater

A green bee-eater

An indian roller

An indian roller

Barbet

Barbet

A barn owl

A barn owl

Red naped ibis with kill

Red naped ibis with kill

Wild boar

Wild boar

Langur

Langur

Langur

Langur

BBC Interview

Had a lovely time with the BBC last week talking about the ethics of wildlife photography, tigers and the art form itself. The piece was shot at my local RSPB (Sandwell Valley) nature reserve, with the BBC’s Shefali Oza.

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The huge 400mm f2.8 and the mini EOS RP

The huge 400mm f2.8 and the mini EOS RP

The beautiful Sonam, of Tadoba tiger reserve, India, getting some air time.

The beautiful Sonam, of Tadoba tiger reserve, India, getting some air time.

In the 15 years I have been photographing wildlife I have seen a steep change in the number of photographers in the field. There seems to be and endless list of courses/workshops relating to wildlife photography, camera settings but only a few that cover ethics of wildlife photography, field-craft and animal behaviour. The UK National Wildlife Crime unit has launched a campaign called undisturbed which seeks to raise awareness and it will be active on social media until the end of the year. Some useful references can be found on the below link

Ethics of Wildlife Photography.

Here are some behind the scenes images of the shoot courtesy of Andy Purcell - thank you for hosting on the day!

A serious rig!

A serious rig!

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Until next time…